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No, I was fortunate enough to have a couple of super hit sellers within the first five hundred images that I produced, which took me from a student to a professional photographer’s salary within three months in terms of royalties - it was relatively easy to get into the business at that time (2005). I did however get rejected at the doorstep of Corbis images when I approached them, they turned me down with the comment "we don’t do walk-ins".I think that was their biggest mistake in terms of what they have done so far.
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I believe the core principle is that people forget two main things about being successful: Firstly you shouldn’t spend money on yourself, you should spend money on the company - most people who reach financial success in their company spend a lot of money on themselves.They will start having fun with it and drive big cars. etc. I didn't do that, for the first five years of my business I put every cent back into the business - this allowed my business to grow much faster than it would have under normal circumstances. When things were going well, I kept pouring money back into the business.
Secondly, to grow a really big business you need to work really hard. For the first five years from starting my business I worked an average of 70 hours per week. I am fortunate that Cecilie ,my partner, supported me during that time.
Hard work and being savvy with your money is key to growing a business quickly. I had no financial backing from my parents, and had no capital to start with - I grew my business from using my hobby camera into what is today - a 100 person enterprise.
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I was relatively lucky that in the first few months of shooting stock back in 2005. There was an opening in the industry at the time - this however is not the case today. People trying to break into the industry now will have a much harder time and it will be more brutal than when I started. I made about $100 000 in revenue my first year. It was a small profit but a good start for a small business. The following year I made about four times as much and it continued that way for about three consecutive years.
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My go-to camera is a Hasselblad and the Nikon D810e. Hasselblad is my camera of choice even though it is super slow and clumsy on a FireWire 800, but it shoots absolutely, ridiculously amazing images and the skin tones are incomparable. It has been almost 8 years but it is still the best.
Studio shoots are done with my Hasselblad and a ring flash, shooting tethered. One screen for myself and one for the model so they can see how the shots look and how they need to pose. My go-to setup on location is two Nikons, one with a Zeiss prime 85mm and the other with the new Sigma 35mm 1.4 and I switch around cameras when i need to. My assistant will side shoot with the one I am not using. We shoot quite a lot of raw files on the day, as much as 5 000. Speed is a factor. I shoot on a super fast 256 GB CF Card as well so that I don’t have buffering problems.